Amy Wack (Seren Selections, edited by Amy Wack)
|
reviewed by Eleanor Crawforth (2006)
|
|
Miriam Waddington (Collected Poems)
|
reviewed by Michael Hulse (1990)
|
|
Erica Wagner (Ariel's Gift: Ted Hughes, Sylvia Plath, and the story of Birthday Letters)
|
reviewed by Kate Clanchy (2000)
|
|
Jan Wagner (Self-Portrait with a Swarm of Bees)
|
reviewed by Jamie Osborn (2015)
|
|
Jeffrey Wainwright (Poetry: The Basics)
|
reviewed by Anthony Radice (2005)
|
Jeffrey Wainwright (Clarity or Death!)
|
reviewed by Alex Wylie (2009)
|
|
Derek Walcott (The Fortunate Traveller)
|
reviewed by Nicolas Tredell (1982)
|
Derek Walcott (Remembrance and Pantomine)
|
reviewed by Michael Bird (1982)
|
Derek Walcott (Midsummer)
|
reviewed by Michael Hulse (1985)
|
Derek Walcott (Omeros)
|
reviewed by T.J.G. Harris (1991)
|
Derek Walcott (The Odyssey: A Stage Version)
|
reviewed by Kate Chisholm (1993)
|
Derek Walcott (The Bounty)
|
reviewed by Andrew Zawacki (1998)
|
Derek Walcott (The Prodigal)
|
reviewed by David C. Ward (2006)
|
Derek Walcott (White Egrets)
|
reviewed by Tony Roberts (2010)
|
|
Anna Walczuk (Elizabeth Jennings and the Sacramental Nature of Poetry)
|
reviewed by Dana Greene (2018)
|
|
Alan Wald (The Revolutionary Imagination: The Poetry and Politics of John Wheelwright and Sherry Mangan)
|
reviewed by Nicolas Tredell (1984)
|
|
Rosmarie Waldrop ( Dissonance (if you are interested))
|
reviewed by Michael Peverett (2006)
|
|
Alice Walker (Taking the Arrow Out of the Heart)
|
reviewed by David C. Ward (2020)
|
|
Marshall Walker (The Literature of the United States of America)
|
reviewed by Nicolas Tredell (1984)
|
Marshall Walker (Scottish Literature since 1707)
|
reviewed by Alan Riach (1998)
|
Marshall Walker (Dear Sibelius: Letter from a Junky)
|
reviewed by Alan Riach (2009)
|
|
Ted Walker (The High Path)
|
reviewed by Jeremy Hooker (1983)
|
Ted Walker (Hands at a Live Fire)
|
reviewed by Michael Bird (1989)
|
|
Alan Wall (Jacob)
|
reviewed by Roger Caldwell (1994)
|
|
Naomi Wallace (To Dance a Stony Field)
|
reviewed by Rennie Parker (1996)
|
|
Ronald Wallace (Plums, Stones, Kisses and Hooks)
|
reviewed by Dick Davis (1982)
|
|
Chris Wallace-Crabbe (The Amorous Cannibal)
|
reviewed by Michael Hulse (1986)
|
Chris Wallace-Crabbe (Whirling)
|
reviewed by Michael Duggan (1998)
|
Chris Wallace-Crabbe (Rondo)
|
reviewed by William Poulos (2019)
|
|
Martin Walser (The Inner Man)
|
reviewed by David Marriott (1987)
|
|
Robert Walser (Selected Stories, translated by Christopher Middleton and others, with a foreword by Susan Sontag )
|
reviewed by John Pilling (1983)
|
|
Brian Waltham (Masterclass)
|
reviewed by Steven Blyth (1995)
|
|
Peter Walton (Out of Season)
|
reviewed by Matt Simpson (1980)
|
|
David C. Ward (Internal Difference)
|
reviewed by David Kinloch (2011)
|
|
J. P. Ward (To Get Clear)
|
reviewed by Ian McMillan (1983)
|
|
Philip Ward (Impostors And Their Imitators)
|
reviewed by Deborah Mitchell (1979)
|
|
Noah Wardrip-Fruin (edited by Noah Wardrip-Fruin and Nick Montfort)
|
reviewed by Edward Picot (2003)
|
|
Kat Payne Ware (The Live Album)
|
reviewed by Rory Waterman (2021)
|
|
Patrick Warner (Mole)
|
reviewed by Evan Jones (2009)
|
|
Sylvia Townsend Warner (Letters, ed. William Maxwell)
|
reviewed by Claire Harman (1983)
|
Sylvia Townsend Warner (Collected Poems, edited with an introduction by Claire Harman)
|
reviewed by Glen Cavaliero (1983)
|
|
Val Warner (Before Lunch)
|
reviewed by Eavan Boland (1988)
|
Val Warner (Tooting Idyll)
|
reviewed by Stan Smith (2001)
|
|
Robert Penn Warren (Rumor Verified)
|
reviewed by Michael Hofmann (1983)
|
Robert Penn Warren (The Collected Poems of Robert Penn Warren edited by John Burt with a foreword by Harold Bloom)
|
reviewed by David C. Ward (1999)
|
|
Rosanna Warren (Departure)
|
reviewed by David C. Ward (2006)
|
|
Lewis Warsh (Elixir)
|
reviewed by Daniel Kane (2023)
|
|
Andrew Waterman (Over the Wall)
|
reviewed by Neil Corcoran (1981)
|
|
Rory Waterman (Belonging and Estrangement in the Poetry of Philip Larkin, R.S. Thomas and Charles)
|
reviewed by Andrew Latimer (2015)
|
Rory Waterman (Wendy Cope)
|
reviewed by N.S. Thompson (2022)
|
|
Vernon Watkins (The Breaking of the Wave)
|
reviewed by Matt Simpson (1980)
|
Vernon Watkins (Selected Verse Translations)
|
reviewed by Sarah Matthews (1981)
|
Vernon Watkins (Poems for Dylan)
|
reviewed by Grevel Lindop (2004)
|
|
Dawn Watson (We Play Here)
|
reviewed by Sarah-Clare Conlon (2024)
|
|
Robert Watson (The Pendulum)
|
reviewed by Nathan Ewer (1996)
|
|
Stephen Watson (In this City)
|
reviewed by Angela Smith (1988)
|
|
Rebecca Watts (The Met Office Advises Caution)
|
reviewed by Paul Stephenson (2017)
|
Rebecca Watts (Red Gloves)
|
reviewed by Yvonne Reddick (2021)
|
|
Patricia Waugh (Metafiction: The Theory and Practice of Self-Conscious Fiction)
|
reviewed by Nicolas Tredell (1986)
|
|
Harold L. Weatherby (The Keen Delight: The Christian Poet in the Modern World)
|
reviewed by David Levy (1978)
|
|
A. Kingsley Weatherhead (The British Dissonance)
|
reviewed by Robert Sheppard (1985)
|
|
Barry Webb (Edmund Blunden: a Biography)
|
reviewed by Robyn Marsack (1992)
|
|
Christine Webb (After Babel)
|
reviewed by Kate Keogan (2005)
|
|
Harri Webb (Collected Poems. Edited by Meic Stephens)
|
reviewed by Angharad Price (1996)
|
|
Phyllis Webb (Hanging Fire)
|
reviewed by Michael Hulse (1992)
|
|
Ian Wedde (Tales of Gotham City)
|
reviewed by Michael Hulse (1985)
|
|
Simone Weil (an Anthology, edited and introduced by Siân Miles )
|
reviewed by Walter Michel (1986)
|
Simone Weil (Formative Writings 1929-1941, edited and translated by Dorothy Tuck McFarland and Wilhelmina Van Ness)
|
reviewed by Peter Hazeldine (1989)
|
|
Theodore Weiss (The Man from Porlock)
|
reviewed by Brian Morton (1983)
|
|
Daniel Weissbort (What Was All the Fuss About?)
|
reviewed by Lawrence Sail (2000)
|
Daniel Weissbort (Letters to Ted)
|
reviewed by James McGrath (2003)
|
|
Denton Welch (Denton Welch, Fragments of a Life Story, edited and introduced by Michael De-la-Noy; Denton Welch, I Left My Grandfather's House, introduced by Michael De-la-Noy; and The Journals of Denton Welch, edited and introduced by Michael De-la-Noy)
|
reviewed by Oliver Harris (1988)
|
|
John Welch (Out Walking)
|
reviewed by Robert Sheppard (1985)
|
John Welch (Blood and Dreams and Erasures)
|
reviewed by James Keery (1994)
|
John Welch (Greeting Want)
|
reviewed by James Sutherland-Smith (2000)
|
John Welch (Collected Poems)
|
reviewed by James Sutherland-Smith (2009)
|
|
Robert Welch (Muskerry)
|
reviewed by T.J.G. Harris (1992)
|
|
G.A. Wells (The origin of language: aspects of the discussion from Condillac to Wundt)
|
reviewed by Kenneth Cox (1989)
|
|
Robert Wells (The Winter's Task)
|
reviewed by Dick Davis (1979)
|
Robert Wells (Lusus)
|
reviewed by Ian Pople (1999)
|
|
Matthew Welton (We needed coffee but...)
|
reviewed by Alex Wylie (2011)
|
|
Albert Wendt (Shaman of Visions)
|
reviewed by Michael Hulse (1986)
|
|
Donald Wesling (The Chances of Rhyme: Device and Modernity)
|
reviewed by Nicolas Tredell (1982)
|
Donald Wesling (The New Poetries: Poetic Form since Coleridge and Wordsworth)
|
reviewed by Lawrence Coupe (1987)
|
Donald Wesling (Literary Voice: The Calling of Jonah)
|
reviewed by Nicolas Tredell (1996)
|
|
Michael Westlake (51 Soko)
|
reviewed by Mike Sowerby (1991)
|
|
Daniel Westover (R.S. Thomas: A Stylistic Biographay)
|
reviewed by Sam Adams (2012)
|
|
David Wevill (Collected Earlier Poems and Collected Later Poems)
|
reviewed by Ian Pople (2023)
|
|
David Wheatley (Contemporary British Poetry (Readersâ Guides to Essential Criticism))
|
reviewed by Peter Riley (2015)
|
|
Susan Wheeler (Assorted Poems)
|
reviewed by David C. Ward (2013)
|
Susan Wheeler (Meme)
|
reviewed by Lucy Sheerman (2014)
|
|
Peter Whigham (The Poems of Meleager, A Bilingual Edition, verse translations by Peter Whigham, introduction and literal translations by Peter Jay)
|
reviewed by Michael Vince (1978)
|
Peter Whigham (Letter to Juvenal: 101 epigrams from Martial, with an introduction by J. P. Sullivan )
|
reviewed by John Pilling (1987)
|
|
Kenneth White (Open World: The Collected Poems, 1960-2000)
|
reviewed by David Kinloch (2004)
|
|
Landeg White (The View From The Stockade)
|
reviewed by David Kennedy (1992)
|
|
Christiania Whitehead (The Garden of Slender Trust)
|
reviewed by Kate Price (2000)
|
|
Bruce Whiteman (The Invisible World is in Decline, Books II-IV)
|
reviewed by Michael Hulse (1991)
|
|
Clifton Whiten (One Poem: Poems Selected and New)
|
reviewed by Michael Hulse (1990)
|
|
John Whitworth (Unhistorical Fragments)
|
reviewed by Michael Vince (1981)
|
John Whitworth (Poor Butterflies)
|
reviewed by Ian McMillan (1983)
|
John Whitworth (Tennis and Sex and Death )
|
reviewed by T.J.G. Harris (1990)
|
John Whitworth (Making Love to Marilyn Monroe: The Faber Book of Blue Verse, edited by John Whitworth)
|
reviewed by Barry Wood (2007)
|
|
Michael H. Whitworth (Einstein's Wake)
|
reviewed by Kate Price (2002)
|
|
Christopher Whyte (Bho Leabhar-Latha Maria Malibran)
|
reviewed by Mark Ryan Smith (2010)
|
|
Susan Wicks (Singing Under Water)
|
reviewed by David Kennedy (1993)
|
Susan Wicks (Driving My Father and The Key)
|
reviewed by Vona Groarke (1997)
|
Susan Wicks (The Clever Daughter)
|
reviewed by Caroline Sylge (1997)
|
|
Anna Wigley (Dürer's Hare)
|
reviewed by Julie Mullaney (2006)
|
|
Menno Wigman (The World by Evening)
|
reviewed by Ian Seed (2021)
|
|
Richard Wilbur (New and Selected Poems)
|
reviewed by Eavan Boland (1990)
|
Richard Wilbur (Mayflies. New Poems and Translations)
|
reviewed by David C. Ward (2000)
|
Richard Wilbur (Richard Wilbur in conversation with Peter Dale, Between the Lines)
|
reviewed by N.S. Thompson (2002)
|
Richard Wilbur (Collected Poems 1943 - 2004)
|
reviewed by Tony Roberts (2006)
|
|
Oscar Wilde (Oscar Wilde and others, Teleny, edited and with an introduction by John McRae )
|
reviewed by Roger Cardinal (1988)
|
|
David G. Wilkins (Donatello)
|
reviewed by George Steiner (1985)
|
|
Ben Wilkinson (For Real)
|
reviewed by Alison Brackenbury (2015)
|
|
John Wilkinson (Bones of Contention)
|
reviewed by T.J.G. Harris (1991)
|
John Wilkinson (Down to Earth)
|
reviewed by Val Nolan (2009)
|
John Wilkinson (Lyric in Its Times and My Reef My Manifest Array)
|
reviewed by Ian Brinton (2019)
|
|
Judith Wilkinson (Canyon Journey)
|
reviewed by Alison Brackenbury (2016)
|
|
John Willett (Brecht in Context: Comparative Approaches)
|
reviewed by Michael Hamburger (1984)
|
|
C.K. Williams (A Dream of Mind)
|
reviewed by Richard Francis (1993)
|
C.K. Williams (Repair)
|
reviewed by Jem Poster (2000)
|
C.K. Williams (Repair)
|
reviewed by Ian Tromp (2000)
|
C.K. Williams (The Singing)
|
reviewed by Kate Price (2004)
|
C.K. Williams (Collected Poems)
|
reviewed by Roger Caldwell (2007)
|
C.K. Williams (Wait)
|
reviewed by Charlie Cocksedge (2011)
|
C.K. Williams (Falling Ill)
|
reviewed by David C. Ward (2017)
|
|
Francis Williams (Flotsam)
|
reviewed by Jeremy Hooker (1989)
|
Francis Williams (Wild Blue)
|
reviewed by David Kennedy (2000)
|
|
Hugo Williams (Writing Home)
|
reviewed by Peter Levi (1986)
|
Hugo Williams (Selected Poems)
|
reviewed by Andrew Waterman (1989)
|
Hugo Williams (Self-Portrait With a Slide)
|
reviewed by T.J.G. Harris (1992)
|
Hugo Williams (Dock Leaves)
|
reviewed by Keith Silver (1995)
|
Hugo Williams (Dock Leaves)
|
reviewed by Fenella Copplestone (1995)
|
Hugo Williams (Freelancing: Adventures of a Poet)
|
reviewed by Neil Powell (1996)
|
Hugo Williams (Billy's Rain)
|
reviewed by Anthony Howell (2000)
|
Hugo Williams (Lines Off)
|
reviewed by Maitreyabandhu (2020)
|
|
John Hartley Williams (Bright River Yonder)
|
reviewed by Neil Powell (1989)
|
John Hartley Williams (The Ship)
|
reviewed by Nick Telfer (2008)
|
John Hartley Williams (Assault on the Clouds)
|
reviewed by James Sutherland-Smith (2013)
|
|
Miller Williams (Distractions )
|
reviewed by Dick Davis (1982)
|
|
Patrick Williams (Trails)
|
reviewed by Ian McMillan (1982)
|
|
Raymond Williams (Marxism and Literature)
|
reviewed by Paul Edwards (1979)
|
Raymond Williams (Loyalties)
|
reviewed by Mike Westlake (1986)
|
|
Rhian Williams (The Poetry Toolkit: The Essential Guide to Studying Poetry)
|
reviewed by John Lyon (2009)
|
|
Rowan Williams (Resurrection: Interpreting the Easter Gospel, The Poems of Rowan Williams, and Writing in the Dust: Reflections on 11th September and its Aftermath)
|
reviewed by W.S. Milne (2004)
|
Rowan Williams (Headwaters)
|
reviewed by Rachel Mann (2011)
|
|
Claire Williamson (Visiting the Minotaur)
|
reviewed by David C. Ward (2019)
|
|
Henry Williamson (The Man, The Writings. Brocard Sewell)
|
reviewed by Glen Cavaliero (1981)
|
|
Margaret Williamson (Sappho's Immortal Daughters)
|
reviewed by Felicity Rosslyn (1996)
|
|
Elizabeth Willis (Meteoric Flowers)
|
reviewed by Nick Telfer (2006)
|
|
Emily Wills (Unmapped)
|
reviewed by Alison Brackenbury (2016)
|
|
Jackie Wills (Fever Tree)
|
reviewed by Kate Keogan (2004)
|
|
Clive Wilmer
|
reviewed by Thom Gunn (1983)
|
Clive Wilmer (Selected Poems)
|
reviewed by Peter Carpenter (1996)
|
Clive Wilmer (The Falls)
|
reviewed by Jem Poster (2001)
|
Clive Wilmer (New and Collected Poems)
|
reviewed by Jem Poster (2012)
|
|
Eleanor Wilner (Otherwise)
|
reviewed by Richard Francis (1994)
|
|
A.N. Wilson (The Life of John Milton)
|
reviewed by Timothy Harris (1983)
|
|
David Wilson (Slope)
|
reviewed by Alison Brackenbury (2017)
|
|
Elizabeth Wilson (Prisons of Glass)
|
reviewed by Elizabeth Baines (1987)
|
|
Emily Wilson (The Odyssey)
|
reviewed by Evan Jones (2018)
|
|
Frances Wilson (Rearranging the Sky)
|
reviewed by Alison Brackenbury (2005)
|
|
Gregory Warren Wilson (Jeopardy)
|
reviewed by Rachel Elliot (2003)
|
|
Janet Wilson (Fleur Adcock)
|
reviewed by Julian Stannard (2009)
|
|
Christian Wiman (Hard Night)
|
reviewed by David C. Ward (2006)
|
|
Sarah Wimbush (Shelling Peas with My Grandmother in the Gorgiolands)
|
reviewed by Joey Connolly (2023)
|
|
Alison Winch (Trouble)
|
reviewed by Alison Brackenbury (2016)
|
Alison Winch (Darling, Itâs Me)
|
reviewed by Jonathan Catherall (2020)
|
|
Sheila Wingfield (Collected Poems)
|
reviewed by Chris McCully (1985)
|
|
Ron Winkler (Fragmented Waters, trans. Jake Schneider)
|
reviewed by Ian Seed (2018)
|
|
Caspar Wintermans (Alfred Douglas: A Poet's Life and his Finest Work)
|
reviewed by Rachel Martin (2007)
|
|
Jeanette Winterson (Weight)
|
reviewed by Lawrence Coupe (2006)
|
|
Hubert Witheford (A Blue Monkey for the Tomb)
|
reviewed by Michael Hulse (1994)
|
|
Jane Wodening (from The Book of Legends)
|
reviewed by Charles Tomlinson (1994)
|
|
Alex Wong (Poems Without Irony)
|
reviewed by Peter Scupham (2017)
|
|
Cyril Wong (Infinity Diary)
|
reviewed by Jee Leong Koh (2021)
|
|
Gregory Woods (We Have the Melon)
|
reviewed by James Kirkup (1993)
|
Gregory Woods (The District Commissioner's Dreams)
|
reviewed by David Kinloch (2003)
|
Gregory Woods (Homintern: How Gay Culture Liberated the Modern World)
|
reviewed by Nicolas Tredell (2016)
|
|
Gerard Woodward (Householder)
|
reviewed by David Kennedy (1991)
|
Gerard Woodward (Householder)
|
reviewed by T.J.G. Harris (1992)
|
|
David Woolley (Hepworth: a celebration, edited by David Woolley)
|
reviewed by David Kennedy (1993)
|
|
William Wootten (The Alvarez Generation: Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter)
|
reviewed by Michael Daniels (2017)
|
|
Dorothy Wordsworth (Recollections of a Tour made in Scotland (1803))
|
reviewed by Elisabeth Russell Taylor (1994)
|
|
Jessica Wordsworth (The New Penguin Book of Romantic Poetry edited by Jonathan and Jessica Wordsworth)
|
reviewed by Duncan Wu (2002)
|
|
Jonathon Wordsworth (The New Penguin Book of Romantic Poetry edited by Jonathan and Jessica Wordsworth)
|
reviewed by Duncan Wu (2002)
|
|
C.D. Wright (Casting Deep Shade)
|
reviewed by Valerie Duff (2019)
|
|
Charles Wright (Chickamauga)
|
reviewed by David C. Ward (1996)
|
Charles Wright (Scar Tissue)
|
reviewed by James O'Connor (2007)
|
Charles Wright (Oblivion Banjo)
|
reviewed by M.C. Caseley (2020)
|
|
David Wright (Metrical Observations)
|
reviewed by Jonathan Barker (1982)
|
David Wright (Selected Poems)
|
reviewed by Dennis Keene (1990)
|
|
Franz Wright (Walking to Martha's Vineyard)
|
reviewed by David C. Ward (2005)
|
|
James Wright (To a blossoming pear tree )
|
reviewed by John Pilling (1980)
|
James Wright (This Journey)
|
reviewed by Dennis Keene (1983)
|
|
Judith Wright (Australian Bibliographies and The Cry of the Dead)
|
reviewed by Peter Levi (1983)
|
Judith Wright (Phantom Dwelling )
|
reviewed by Ruth Morse (1987)
|
|
Kit Wright (Bump-Starting the Hearse)
|
reviewed by Steven Tuohy (1984)
|
Kit Wright (Hoping It Might Be So)
|
reviewed by Sophie Hannah (2001)
|
|
Lynne Wycherley (At The Edge of Light)
|
reviewed by Vivienne Neale (2004)
|
|
Adam Wyeth (The Art of Dying)
|
reviewed by Tara Bergin (2018)
|