Josephine Abbott (The Infinite Knot)
|
reviewed by Jane Draycott (2018)
|
|
Peter Abbs (Icons Of Time)
|
reviewed by David Kennedy (1991)
|
Peter Abbs (Selected Poems)
|
reviewed by Nicolas Tredell (2003)
|
Peter Abbs (Earth Songs: A Resurgence anthology of contemporary eco-poetry, edited by Peter Abbs)
|
reviewed by Peter Scupham (2004)
|
|
Dannie Abse (Collected Poems 1948-1976)
|
reviewed by Neil Powell (1979)
|
Dannie Abse (Way Out in the Centre)
|
reviewed by Neil Powell (1982)
|
Dannie Abse (A Strong Dose of Myself)
|
reviewed by Nicolas Tredell (1983)
|
|
Shanta Acharya (What Survives is the Singing)
|
reviewed by Ian Pople (2021)
|
|
Gerrit Achterberg (selected poems, translated by Michael O'Loughlin)
|
reviewed by John Pilling (1993)
|
|
Diane Ackerman (Jaguar of Sweet Laughter)
|
reviewed by Richard Francis (1992)
|
|
Peter Ackroyd (Notes for a New Culture: An Essay on Modernism)
|
reviewed by Andrew Crozier (1979)
|
Peter Ackroyd (T. S. Eliot)
|
reviewed by C.H. Sisson (1985)
|
Peter Ackroyd (Chatterton)
|
reviewed by Eavan Boland (1988)
|
|
Virginia Hamilton Adair (Ants on the Melon)
|
reviewed by David C. Ward (1997)
|
|
Anna Adams (A Reply to Intercepted Mail)
|
reviewed by Emma Fisher (1981)
|
Anna Adams (Green Resistance: New Selected Poems)
|
reviewed by Kate Price (1997)
|
|
Sam Adams (Prichard's Nose)
|
reviewed by Christopher Meredith (2010)
|
Sam Adams (Letters from Wales: Memories and Encounters in Literature and Life)
|
reviewed by Gwyneth Lewis (2024)
|
|
Robert Adamson (Reading the River: Selected Poems)
|
reviewed by Peter Riley (2005)
|
|
Fleur Adcock (Below Loughrigg and The Inner Harbour)
|
reviewed by Paul Wilkins (1981)
|
Fleur Adcock (Selected Poems)
|
reviewed by Ian McMillan (1984)
|
Fleur Adcock (The Virgin and the Nightingale, Medieval Latin Poems translated by Fleur Adcock)
|
reviewed by Dick Davis (1984)
|
Fleur Adcock (Selected Poems)
|
reviewed by Michael Glover (1986)
|
Fleur Adcock (The Incident Book)
|
reviewed by Angela Smith (1988)
|
Fleur Adcock (Selected Poems and Time Zones)
|
reviewed by Tess Lewis (1992)
|
Fleur Adcock (Looking Back)
|
reviewed by Vona Groarke (1998)
|
Fleur Adcock (Poems 1960-2000)
|
reviewed by Julian Stannard (2000)
|
Fleur Adcock (Dragon Talk)
|
reviewed by Vivienne Neale (2010)
|
Fleur Adcock (The Land Ballot)
|
reviewed by Sue Leigh (2015)
|
Fleur Adcock (Hoard)
|
reviewed by Sue Leigh (2018)
|
|
John Adlard (One Evening of Light Mist in London)
|
reviewed by David Arkell (1981)
|
John Adlard (the Lichfield Elegies)
|
reviewed by David Kennedy (1992)
|
John Adlard (Songs for Dobra)
|
reviewed by David Kennedy (1993)
|
John Adlard (The Inextinguishable)
|
reviewed by Anne Stevenson (1996)
|
|
Lucile Adler (The Society of Anna)
|
reviewed by Andrew Waterman (1978)
|
|
John Agard (From the Devil's Pulpit)
|
reviewed by Conor O'Callaghan (1999)
|
|
Sister Mary Agnes (Harvest)
|
reviewed by Toby Martinez de las Rivas (2017)
|
|
Gösta Ågren (A Valley in the Midst of Violence translated by David McDuff)
|
reviewed by John Pilling (1993)
|
|
AI (Vice: New and Selected Poems)
|
reviewed by Ian Tromp (2000)
|
AI (Dread)
|
reviewed by Helena Nelson (2006)
|
|
Conrad Aiken (Selected Letters of Conrad Aiken, ed. Joseph Killorin )
|
reviewed by D.G. Bridson (1979)
|
|
Kaveh Akbar (The Penguin Book of Spiritual Verse: 110 Poets on the Divine)
|
reviewed by Rachel Mann (2023)
|
|
Anna Akhmotova (Requiem and Poem without a Hero, translated by D. M. Thomas)
|
reviewed by Jeffrey Wainwright (1978)
|
Anna Akhmotova (Poems selected and translated by Lyn Coffin with an introduction by Joseph Brodsky)
|
reviewed by John Pilling (1984)
|
Anna Akhmotova (Selected Poems, translated by Richard McKane)
|
reviewed by John Pilling (1990)
|
Anna Akhmotova (The Complete Poems of Anna Akhmatova, translated by Judith Herschemeyer, edited by Roberta Reeder)
|
reviewed by John Pilling (1993)
|
Anna Akhmotova (My Half Century: selected prose edited by Ronald Meyer)
|
reviewed by John Pilling (1995)
|
|
Maram al-Massri (A Red Cherry on a White-tiled Floor: Selected Poems. Translated by Khaled Mattawa. Bilingual Arabic-English edition)
|
reviewed by Eric Ormsby (2005)
|
|
Al-Saddiq Al-Raddi (A Monkey at the Window: Selected Poems translated by Sarah Maguire and Mark Ford)
|
reviewed by N.J. Stallard (2018)
|
|
Adnan Al-Sayegh (Ten Poems)
|
reviewed by Alison Brackenbury (2017)
|
|
Alain-Fournier (Poems, translated by Anthony Costello, Anthony Howell & Anita Marsh)
|
reviewed by Ian Brinton (2017)
|
|
Laureano Albán (The Endless Voyage, translated by Frederick Fornoff )
|
reviewed by John Pilling (1986)
|
|
Pierre Albert-Birot (The First Book of Grabinoulor, translated by Barbara Wright)
|
reviewed by Kevin Taylor (1987)
|
|
Anne-Marie Albiach ("Vocative Figure', revised second edition, translations by Anthony Barnett and Joesph Simas)
|
reviewed by John Pilling (1993)
|
|
Richard Aldington (Exile and Other Poems)
|
reviewed by John Greening (2024)
|
|
Keith Aldritt (The Poet as Spy: The Life and Wild Times of Basil Bunting)
|
reviewed by Ian Pople (1999)
|
|
Yuz Aleshkovsky (Kangaroo, translated from the Russian by Tamara Glenny)
|
reviewed by Raymond Cooke (1987)
|
Yuz Aleshkovsky (Kangaroo, translated from the Russian by Tamara Glenny)
|
reviewed by Michael Hulse (1990)
|
|
Meena Alexander (Raw Silk)
|
reviewed by Moniza Alvi (2005)
|
|
Michael Alexander (The Poetic Achievement of Ezra Pound )
|
reviewed by William Cookson (1980)
|
Michael Alexander (Old English Riddles from the Exeter Book )
|
reviewed by John Clarke (1981)
|
Michael Alexander (Twelve Poems)
|
reviewed by Dick Davis (1983)
|
Michael Alexander (Old English Literature)
|
reviewed by Brian Morton (1985)
|
Michael Alexander (Beowulf: A Verse Translation)
|
reviewed by Matt Bryden (2002)
|
Michael Alexander
|
reviewed by Henry King (2008)
|
Michael Alexander (Medievalism: The Middle Ages in Modern England)
|
reviewed by Judith Willson (2008)
|
|
Pierre Alferi (Personal Pong)
|
reviewed by James Keery (1999)
|
|
Lucy Alford (Forms of Poetic Attention)
|
reviewed by Chris Miller (2021)
|
|
Ghazi Algosaibi (Arabian Essays)
|
reviewed by C.H. Sisson (1983)
|
|
Kazim Ali ( Inquisition)
|
reviewed by Joe Carrick-Varty (2018)
|
|
Dante Alighieri (The Divine Comedy: Inferno, trans. J.G. Nichols)
|
reviewed by Andrew Hadfield (2011)
|
|
A.M. Allchin (The Joy of All Creation: An Anglican Meditation on the Place of Mary)
|
reviewed by Brian Morton (1985)
|
|
Fergus Allen (Mrs Power Looks Over the Bay)
|
reviewed by James Sutherland-Smith (2000)
|
|
Racheal Allen (Faber New Poets 9)
|
reviewed by Alison Brackenbury (2015)
|
Racheal Allen (Kingdomland)
|
reviewed by Aoife Lyall (2021)
|
|
Drummond Allison (Collected Poems, edited by Stephen Benson)
|
reviewed by Charlie Louth (1995)
|
Drummond Allison (Collected Poems)
|
reviewed by Bernard Bergonzi (1995)
|
|
Gillian Allnutt
|
reviewed by Neil Powell (1989)
|
Gillian Allnutt (Blackthorn)
|
reviewed by Rennie Parker (1995)
|
Gillian Allnutt (Nantucket and the Angel)
|
reviewed by James Sutherland-Smith (1998)
|
Gillian Allnutt (Nantucket and the Angel)
|
reviewed by Michael Tolkien (1998)
|
Gillian Allnutt (Lintel)
|
reviewed by Sophie Hannah (2001)
|
Gillian Allnutt (Sojourner)
|
reviewed by Oliver Dennis (2005)
|
|
Antony Alper (The Life of Katherine Mansfield)
|
reviewed by Claire Harman (1981)
|
|
Nuar Alsadir (Fourth Person Singular)
|
reviewed by Sasha Dugdale (2018)
|
|
Charles Altieri (The Art of Twentieth-Century American Poetry: Modernism and After)
|
reviewed by Edward Ragg (2006)
|
|
A. Alverez (New and Selected Poems)
|
reviewed by David C. Ward (2003)
|
|
Susan Amert (In A Shattered Mirror: the later poetry of Anna Akhmatova)
|
reviewed by John Pilling (1993)
|
|
Yehuda Amichai (Amen)
|
reviewed by Paul Wilkins (1980)
|
Yehuda Amichai (Love Poems: a bilingual selection)
|
reviewed by John Pilling (1983)
|
Yehuda Amichai (The Selected Poetry of Yehuda Amichai translated by Chana Bloch and Stephen Mitchell)
|
reviewed by John Pilling (1997)
|
|
Kingsley Amis (Collected Poems 1944-1979)
|
reviewed by Neil Powell (1980)
|
|
Martin Amis (Einstein's Monsters)
|
reviewed by Mark Thompson (1988)
|
Martin Amis (Experience)
|
reviewed by Frederic Raphael (2000)
|
|
A.R. Ammons (The Selected Poems)
|
reviewed by Michael Hamburger (1979)
|
A.R. Ammons (The Really Short Poems of A.R. Ammons)
|
reviewed by Richard Francis (1992)
|
A.R. Ammons (Collected Poems, 1951-1971; Garbage. A Poem; and Worldly Hopes)
|
reviewed by David C. Ward (2002)
|
|
Michael Anania (Riversongs)
|
reviewed by Andrew Waterman (1981)
|
Michael Anania (Continuous Showings and Nightsongs & Clamors)
|
reviewed by Ian Pople (2020)
|
|
Anthony Anaxagorou (After the Formalities)
|
reviewed by Evan Jones (2020)
|
|
Linda Anderson (The Station Before)
|
reviewed by Genevieve Stevens (2020)
|
|
Perry Anderson (A Zone of Engagement and English Questions)
|
reviewed by Nicolas Tredell (1992)
|
Perry Anderson (The Origins of Postmodernity)
|
reviewed by Nicolas Tredell (1999)
|
|
Carlos Drummond De Andrade (The Minus Sign, translated from the Portuguese by Virginia de Araujo)
|
reviewed by Donald Davie (1982)
|
|
Eugénio de Andrade
|
reviewed by John Pilling (1986)
|
|
Chris Andrews (Lime Green Chair)
|
reviewed by Aime Williams (2013)
|
|
Elmer Andrews (The Poetry of Seamus Heaney)
|
reviewed by T.J.G. Harris (1989)
|
|
Nin Andrews (The Book of Orgasms)
|
reviewed by Robert P. Jones (2003)
|
|
Ivo Andric (Conversation with Goya translated by Celia Hawkesworth and Andrew Harvey)
|
reviewed by John Pilling (1993)
|
|
Maya Angelou (On the Pulse of the Morning)
|
reviewed by Richard Francis (1993)
|
|
Katerina Anghelaki-Rooke (The Scattered Papers of Penelope: New and Selected Poems )
|
reviewed by Evan Jones (2009)
|
|
Diana Anphimiadi (Beginning to Speak)
|
reviewed by Rory Waterman (2019)
|
|
Romalyn Ante (Antiemetic for Homesickness)
|
reviewed by Yvonne Reddick (2021)
|
|
Guillaume Apollinaire (The Self-Dismembered Man: Selected Later Poems of Guillaume Apollinaire, translated by Donald Revell)
|
reviewed by Robert Archambeau (2005)
|
|
Aharon Appelfeld (To the Land of the Reeds)
|
reviewed by Bernard Harrison (1988)
|
Aharon Appelfeld (The Immortal Bartfuss, translated from the Hebrew by Jeffrey M. Green)
|
reviewed by Michael Hulse (1989)
|
|
Louis Aragon (Treatise on Style translated and with an introduction by Alyson Waters)
|
reviewed by John Pilling (1992)
|
Louis Aragon (Les Chambres, tr. John Manson)
|
reviewed by Jamie Osborn (2019)
|
|
Jean Arasanayagam (Reddened Water Flows Clear)
|
reviewed by Michael Hulse (1991)
|
|
Robert Archambeau (Home and Variations)
|
reviewed by David C. Ward (2005)
|
Robert Archambeau (Laureates and Heretics)
|
reviewed by Henry King (2010)
|
|
Emma-Jane Arkady (Lithium)
|
reviewed by Ian Pople (2003)
|
|
David Arkell (Looking for Laforgue, an informal biography)
|
reviewed by C.H. Sisson (1981)
|
|
Rae Armatrout (Next Life)
|
reviewed by David C. Ward (2008)
|
Rae Armatrout (Versed)
|
reviewed by John Muckle (2009)
|
Rae Armatrout (Versed)
|
reviewed by Henry King (2010)
|
Rae Armatrout (Money Shot)
|
reviewed by David C. Ward (2011)
|
Rae Armatrout (Party: New and Selected Poems 2001â2015)
|
reviewed by Ian Pople (2018)
|
|
Simon Armitage (Zoom!)
|
reviewed by T.J.G. Harris (1990)
|
Simon Armitage (Kid)
|
reviewed by David Kennedy (1992)
|
Simon Armitage (Xanadu)
|
reviewed by David Kennedy (1993)
|
Simon Armitage (Book of Matches)
|
reviewed by Keith Silver (1994)
|
Simon Armitage (Killing Time)
|
reviewed by Jem Poster (2000)
|
Simon Armitage (The Universal Home Doctor)
|
reviewed by Sarah Wardle (2005)
|
Simon Armitage (Homer's Odyssey and Tyrannosaurus Rex versus the Corduroy Kid)
|
reviewed by Stephen Procter (2007)
|
Simon Armitage (Homer's Odyssey)
|
reviewed by Henry King (2008)
|
Simon Armitage (Paper Aeroplane: Selected Poems 1989â2014)
|
reviewed by Rachel Mann (2015)
|
Simon Armitage (Pearl)
|
reviewed by Jane Draycott (2016)
|
|
Karen Armstrong (A Short History of Myth)
|
reviewed by Lawrence Coupe (2006)
|
|
Paul B. Armstrong (Conflicting Readings: Variety and Validity in Interpretation)
|
reviewed by Nicolas Tredell (1991)
|
|
Craig Arnold (Shells)
|
reviewed by Ian Tromp (1999)
|
|
Les Arnold (Shaker City)
|
reviewed by Jeremy Hooker (2000)
|
|
Nicky Arscott (Soft Mutation)
|
reviewed by Alison Brackenbury (2016)
|
|
Mona Arshi (Dear Big Gods)
|
reviewed by Hal Coase (2020)
|
|
Kevyn Alan Arthur (England and Nowhere)
|
reviewed by Ruth Morse (1994)
|
|
Manuel Asensi (J. Hillis Miller; or, Boustrophedonic Reading, trans. Mabel Richart)
|
reviewed by Nicolas Tredell (2000)
|
|
John Ash (The Bed & other poems)
|
reviewed by Harry Guest (1983)
|
John Ash (The Goodbyes)
|
reviewed by Robert Sheppard (1984)
|
John Ash (Disbelief )
|
reviewed by Robert Sheppard (1988)
|
John Ash (Two Books: The Anatolikon / To the City)
|
reviewed by David Kennedy (2003)
|
|
John Ashbery (As We Know)
|
reviewed by Simon Howard (1982)
|
John Ashbery (Flow Chart)
|
reviewed by Richard Francis (1992)
|
John Ashbery (Hotel Lautreamont)
|
reviewed by Richard Francis (1993)
|
John Ashbery (And the Stars Were Shining)
|
reviewed by Richard Francis (1994)
|
John Ashbery (Can You Hear, Bird)
|
reviewed by John Pilling (1996)
|
John Ashbery (The Mooring of Starting Out and Wakefulness)
|
reviewed by Roger Caldwell (1998)
|
John Ashbery (Other Traditions. Charles Eliot Norton Lectures and Your Name Here)
|
reviewed by David C. Ward (2001)
|
John Ashbery (A Worldly Country)
|
reviewed by Daniel Kane (2007)
|
John Ashbery (Something Close to Music)
|
reviewed by Harry Sanderson (2022)
|
|
Cliff Ashby (The Dogs of Dewsbury)
|
reviewed by David Wright (1978)
|
Cliff Ashby (Lies & Dreams)
|
reviewed by Ian McMillan (1983)
|
Cliff Ashby (Plain Song: Collected Poems 1960-1985)
|
reviewed by Michael Cullup (1986)
|
|
David Ashford (John Company, An Epic)
|
reviewed by Paul Ingram (2023)
|
|
Sean Ashton (Living in a Land)
|
reviewed by Nicolas Tredell (2016)
|
|
Anthony Astbury (A Field of Large Daises: A Greville Press Anthology 1975-2010 edited by Anthony Astbury)
|
reviewed by Will Eaves (2011)
|
|
Virginia Astley (The Curative Harp)
|
reviewed by Alison Brackenbury (2015)
|
|
Miguel Angel Asturias (Men of Maize, translated by Gerald Martin)
|
reviewed by Stephe M. Hart (1989)
|
|
Polly Atkin (Much with Body)
|
reviewed by Charlotte Wetton (2022)
|
|
Donald Atkinson (Graffiti For Hard Hearts)
|
reviewed by David Kennedy (1993)
|
|
Tiffany Atkinson (Catulla et Al)
|
reviewed by Alison Brackenbury (2012)
|
Tiffany Atkinson (So Many Moving Parts)
|
reviewed by Lucy Sheerman (2016)
|
|
Attar (The Conference of the Birds translated by Sholeh Wolpe)
|
reviewed by Ian Pople (2018)
|
|
Derek Attridge (Moving Words: Forms of English Poetry)
|
reviewed by David Spittle (2014)
|
Derek Attridge (The Work Of Literature)
|
reviewed by Nicolas Tredell (2015)
|
|
David Attwooll (David Attwooll (poems) & Andrew Walton (drawings) Otmoor)
|
reviewed by Alison Brackenbury (2017)
|
|
Margaret Atwood (Murder in the Dark)
|
reviewed by Michael Hulse (1985)
|
Margaret Atwood (The Handmaid's Tale)
|
reviewed by Elizabeth Baines (1987)
|
Margaret Atwood (Poems 1965-1975)
|
reviewed by Michael Hulse (1991)
|
Margaret Atwood (Morning in the Burned House)
|
reviewed by Keith Silver (1995)
|
Margaret Atwood (The Penelopiad)
|
reviewed by Lawrence Coupe (2006)
|
|
W.H. Auden (Collected Poems, ed. Edward Mendelson)
|
reviewed by Alan Young (1978)
|
W.H. Auden (Norse Poems)
|
reviewed by Bill Manhire (1982)
|
W.H. Auden (The Critical Heritage, edited by John Haffenden )
|
reviewed by Neil Powell (1985)
|
W.H. Auden (Letters from Iceland)
|
reviewed by Mark Thompson (1986)
|
W.H. Auden
|
reviewed by Janet Montefiore (1997)
|
W.H. Auden (Prose 1926-1938)
|
reviewed by Neil Powell (1998)
|
|
Michael Augustin (A Certain Koslowski â The Directorâs Cut)
|
reviewed by Ross Cogan (2020)
|
|
Paul Auster (The Art of Hunger and Other Essays)
|
reviewed by Nicolas Tredell (1983)
|
Paul Auster (Collected Poems)
|
reviewed by Evan Jones (2009)
|
|
Annemarie Austin (Back from the Moon)
|
reviewed by Judy Kendall (2004)
|
|
George Austin (A Journey to Faith)
|
reviewed by C.H. Sisson (1992)
|
|
Janette Ayachi (Hand Over Mouth Music)
|
reviewed by Hal Coase (2020)
|
|
Leo Aylen (Return to Zululand)
|
reviewed by Peter Howe (1981)
|
Leo Aylen (Red Alert: This Is A God Warning)
|
reviewed by Ian McMillan (1982)
|