This article is taken from PN Review 291, Volume 53 Number 1, September - October 2026.
from What is Poetry?
Reading Emily Dickinson I come across a poem I don’t remember seeing before:
It’s perfect, seeming to describe the poet’s response to the death, not of friends, but of friends’ friends, and how this goads her – ‘like the Goblin Bee’ – and then that delicious last line: ‘That will not state – its sting’. ‘That will not state’ suggests the bee hides its sting, withholds it, though it’s always there, waiting, but ‘state’, like so many words in Dickinson, carries more than one meaning, suggesting not ‘making a statement’, but ‘state of being’, ‘state of dwelling’, so that what we see is a sting somehow hovering statelessly between two realms, the earth and the underworld or afterlife. And this in turn suggests that the bee’s sting is paradoxically sharpest when it’s at a remove, withheld or hovering between states, just as the death seems paradoxically more painful if it is at one remove. And what of that ‘Goblin Bee’ hovering between earth and the underworld? The ‘Goblin’ suggests an almost-human element in the bee, that it can hover between the two realms suggests that, like humans, bees too might have an existence after death. Or maybe not? And if not, is it the same for us? The way the meanings unfold and proliferate is typical of Dickinson, and I am beginning to wonder why I have never noticed this poem before. I take another look. It’s poem 509, ...
If anybody’s friend be dead
It’s sharpest of the theme
It goads me, like the Goblin Bee –
That will not state – its sting.
It’s perfect, seeming to describe the poet’s response to the death, not of friends, but of friends’ friends, and how this goads her – ‘like the Goblin Bee’ – and then that delicious last line: ‘That will not state – its sting’. ‘That will not state’ suggests the bee hides its sting, withholds it, though it’s always there, waiting, but ‘state’, like so many words in Dickinson, carries more than one meaning, suggesting not ‘making a statement’, but ‘state of being’, ‘state of dwelling’, so that what we see is a sting somehow hovering statelessly between two realms, the earth and the underworld or afterlife. And this in turn suggests that the bee’s sting is paradoxically sharpest when it’s at a remove, withheld or hovering between states, just as the death seems paradoxically more painful if it is at one remove. And what of that ‘Goblin Bee’ hovering between earth and the underworld? The ‘Goblin’ suggests an almost-human element in the bee, that it can hover between the two realms suggests that, like humans, bees too might have an existence after death. Or maybe not? And if not, is it the same for us? The way the meanings unfold and proliferate is typical of Dickinson, and I am beginning to wonder why I have never noticed this poem before. I take another look. It’s poem 509, ...
The page you have requested is restricted to subscribers only. Please enter your username and password and click on 'Continue'. Please ensure that you enter your username and password exactly as you specified them, including any capital letters. Your username is not your email address:
If you have forgotten your username and password, please enter the email address you used when you joined. Your login details will then be emailed to the address specified.
If you are not a subscriber and would like to enjoy the 297 issues containing over 11,900 poems, articles, reports, interviews and reviews,
why not subscribe to the website today?
