Most Read... John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Joshua WeinerAn Exchange with Daniel Tiffany/Fall 2020
(PN Review 259)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Christopher MiddletonNotes on a Viking Prow
(PN Review 10)
Next Issue Kirsty Gunn re-arranges the world John McAuliffe reads Seamus Heaney's letters and translations Chris Price's 'Songs of Allegiance' David Herman on Aharon Appelfeld Victoria Moul on Christopher Childers compendious Greek and Latin Lyric Book Philip Terry again answers the question, 'What is Poetry'
Poems Articles Interviews Reports Reviews Contributors
Reader Survey
PN Review Substack

This poem is taken from PN Review 91, Volume 19 Number 5, May - June 1993.

for Yoshiko Asano Zipangu Charles Tomlinson

1. THE PINES AT HAKONE

The pine trees will not converse with foreigners. Their aim
is to hide everything that lies beneath their crisp, dense
      foliage
or at their feet - those ferns, for instance, that reproduce
the pine pattern on every leaf and lie low
the air scarcely stirring them. They have learned
to keep secrets by studying the tall trunks that surround
      t h e m
and that might still be living in the Edo period.
Touched by the breeze, they rock on their pliant roots
and shift slightly their green vestments, beginning to
      oscillate,
to lean from side to side, even to bow -
though not deeply as is customary with this people -
as if good manners were all they had on their minds
and they had spent a long time considering the question
without coming to any conclusion. The tiny agitations of
...


Searching, please wait... animated waiting image