Most Read... John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Joshua WeinerAn Exchange with Daniel Tiffany/Fall 2020
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Christopher MiddletonNotes on a Viking Prow
(PN Review 10)
Next Issue Sinead Morrissey 'The Lightbox' Philip Terry 'What is Poetry' Ned Denny 'Nine Poems after Verlaine' Sasha Dugdale 'On learning that Russian mothers buy their soldier sons lucky belts inscribed with Psalm 90 to wear into battle' Rod Mengham 'Cold War Hot Air'
Poems Articles Interviews Reports Reviews Contributors
Reader Survey
PN Review Substack

This article is taken from PN Review 177, Volume 34 Number 1, September - October 2007.

Souls, Ghosts, Angels, and 'Things Not Human': John Burnside, Alice Oswald and Kathleen Jamie John Lucas

We are guests of experience, Pasternak remarked. And, he might have added, we are not especially well house-trained. We trample where we will, leave our imprint wherever we go and, after centuries of thoughtless inattention, have come close to wrecking the place. Wordsworth was among the first to complain at this behaviour. Hence, 'Nutting', about a remembered act of what he calls 'merciless ravage', when as a boy he went out to gather hazel nuts, took far more than he needed, and as a result left 'the shady nook/Of hazels, and the green and mossy bower,/Deformed and sullied, [which] patiently gave up/Their quiet being'. But then - further result - 'Ere from the mutilated bower I turned/Exulting, rich beyond the wealth of kings,/I felt a sense of pain when I beheld/The silent trees, and saw the intruding sky'. You could write a long essay - beginning with Cowper and taking in not merely Wordsworth but Clare, Hopkins, Edward Thomas, Ivor Gurney and Charles Tomlinson - about how English poets have used the felling of trees as both fact and metaphor of the abuse of nature's hospitality. Here, I want merely to note that Wordsworth's use of the word 'being' has to be taken in conjunction with the poem's closing line, 'there is a spirit in the woods', as not merely testimony to his anthropomorphism but as at the very least something to be set against those aggressive human energies released by the lure of material acquisition ('Exultant, rich beyond ...


Searching, please wait... animated waiting image