G. Cabrera Infante (Beat Sterchi, Blösch, translated from the German by Michael Hofmann and View of Dawn in the Tropics, translated from the Spanish by Suzanne Jill Levine)
|
reviewed by Michael Hulse (1990)
|
|
Richard Caddell (Writing in the Dark)
|
reviewed by John Muckle (2004)
|
|
David Caddy (So Here We Are)
|
reviewed by Ian Brinton (2013)
|
|
Alberto Caeiro (The Complete Poems /Poesia Completo)
|
reviewed by John Pilling (2009)
|
|
Adrian Caesar (Dividing Lines: poetry, class and ideology in the 1930s)
|
reviewed by Nicolas Tredell (1992)
|
|
Janet Caird (A Distant Urn)
|
reviewed by Chris McCully (1985)
|
|
Gabrielle Calcocoressi (The Last Time I Saw Amelia Earhart)
|
reviewed by Carrie Etter (2006)
|
|
Angus Calder (Colours of Grief)
|
reviewed by Richard Price (2004)
|
|
Barry Callaghan (Stone Blind Love )
|
reviewed by Michael Hulse (1991)
|
|
Edward Callan (Auden: a Carnival of Intellect)
|
reviewed by Alan Munton (1985)
|
|
Philip Callow (Notes Over a Chasm)
|
reviewed by David Kennedy (1992)
|
Philip Callow (Pastoral)
|
reviewed by Alison Brackenbury (2005)
|
|
Italo Calvino (Mr Palomar, translated by William Weaver)
|
reviewed by Roger Cardinal (1987)
|
|
Anna Cameron (Mission Brown Chihuahua)
|
reviewed by Michael Hulse (1994)
|
|
Chaucer Cameron (In an Ideal World Iâd Not Be Murdered)
|
reviewed by Ian Seed (2022)
|
|
Norman Cameron (Collected Poems and Selected Translations, edited by Warren Hope and Jonathan Barker)
|
reviewed by C.H. Sisson (1991)
|
Norman Cameron (Collected Poems and Selected Translations, edited by Warren Hope and Jonathan Barker)
|
reviewed by Katy Price (2012)
|
|
Tommaso Campanella (La Citta del Sole: Dialogo Poetico; The City of the Sun: A Poetical Dialogue, translated by Daniel J. Donno)
|
reviewed by Marie Roberts (1983)
|
|
Niall Campbell (Moontide)
|
reviewed by Neil Powell (2014)
|
|
Roy Campbell (The Selected Poems of Roy Campbell, chosen by Peter Alexander)
|
reviewed by Alan Munton (1983)
|
Roy Campbell (Selected Poems, edited and introduced by Joseph Pearce)
|
reviewed by Roger Freebairn (2002)
|
|
Siobhán Campbell (The Permanent Wave)
|
reviewed by Keith Silver (1996)
|
Siobhán Campbell (Cross-Talk)
|
reviewed by Alison Brackenbury (2010)
|
Siobhán Campbell (Heat Signature)
|
reviewed by Joey Connolly (2017)
|
|
Peter Campion (El Dorado)
|
reviewed by Evan Jones (2014)
|
|
Elias Canetti (The Conscience of Words, translated by Joachim Neugroschel)
|
reviewed by Idris Parry (1986)
|
Elias Canetti (The Secret Heart of the Clock translated by Joel Agee)
|
reviewed by John Pilling (1992)
|
|
Hamish Canham (Acquainted With the Night: Psychoanalysis and the Poetic Imagination, edited by Hamish Canham and Carole Satyamurti)
|
reviewed by Felicity Rosslyn (2004)
|
|
May Cannan (The Tears of War, edited by Charlotte Fyfe)
|
reviewed by Val Warner (2001)
|
|
James Canton (Out of Essex: Re-Imagining a Literary Landscape)
|
reviewed by Chris McCully (2014)
|
|
Andrea Capes (Home Fires)
|
reviewed by Matthew Francis (1993)
|
|
Vahni Capildeo (Utter)
|
reviewed by Lucy Sheerman (2016)
|
|
Ion Caraion (Poems: a bilingual edition with English translations by Marguerite Dorian and Elliott B. Urdang)
|
reviewed by John Pilling (1985)
|
|
Guy Cardwell (The Man Who Was Mark Twain: Images and Ideologies)
|
reviewed by Richard Francis (1991)
|
|
John Carey (John Donne: Life, Mind and Art)
|
reviewed by Richard Todd (1981)
|
|
Vuyelwa Carlin (Midas' Daughter)
|
reviewed by Tess Lewis (1992)
|
Vuyelwa Carlin (How We Dream of the Dead)
|
reviewed by Sam Adams (1996)
|
|
Bo Carpelan (Room Without Walls: selected poems, translated by Anne Born )
|
reviewed by John Pilling (1989)
|
Bo Carpelan (Homecoming translated by David McDuff)
|
reviewed by John Pilling (1993)
|
Bo Carpelan (Homecoming, translated from Finland-Swedish by David McDuff)
|
reviewed by Herbert Lomas (1993)
|
|
Andrew Carpenter (Verse in English from Eighteenth-Century Ireland)
|
reviewed by Michael Duggan (1998)
|
|
Humphrey Carpenter (A Serious Character, The Life of Ezra Pound)
|
reviewed by William Cookson (1989)
|
|
Peter Carpenter (From the Smokery)
|
reviewed by Clive Wilmer (2014)
|
|
Amy Sara Carroll (Fannie + Freddie: The Sentimentality of Post-9/11 Pornography)
|
reviewed by Adam Crothers (2013)
|
|
Hayden Carruth (Scrambled Eggs & Whiskey, Poems, 1991-1995)
|
reviewed by David C. Ward (1997)
|
|
Anne Carson (Glass and God)
|
reviewed by Caitriona O'Reilly (1999)
|
Anne Carson (If Not, Winter: Fragments of Sappho)
|
reviewed by Valerie Duff (2003)
|
Anne Carson (Red Doc> )
|
reviewed by Christopher Madden (2014)
|
Anne Carson (Nay Rather)
|
reviewed by Alison Brackenbury (2014)
|
Anne Carson (Float)
|
reviewed by Jay Degenhardt (2017)
|
Anne Carson (Wrong Norma)
|
reviewed by Valerie Duff-Strautmann (2024)
|
|
Ciarán Carson (The Irish for No)
|
reviewed by T.J.G. Harris (1989)
|
Ciarán Carson (The Irish For No)
|
reviewed by Lawrence Sail (1990)
|
|
Ciaran Carson (Belfast Confetti)
|
reviewed by T.J.G. Harris (1991)
|
Ciaran Carson (First Language)
|
reviewed by Kate Chisholm (1994)
|
Ciaran Carson (Opera Et Cetera)
|
reviewed by Rennie Parker (1997)
|
Ciaran Carson (Breaking News)
|
reviewed by Robert P. Jones (2003)
|
Ciaran Carson (Collected Poems)
|
reviewed by Alex Wylie (2009)
|
Ciaran Carson (On the Night Watch)
|
reviewed by Marcus Smith (2010)
|
Ciaran Carson (Until Before After)
|
reviewed by Alex Wylie (2010)
|
|
Jared Carter (Work, for the Night is Coming, After the Rain, Les Barricades Mystérieuses)
|
reviewed by Roland John (2000)
|
|
Paul Carter (The Road to Botany Bay: an essay in spatial history)
|
reviewed by Brian Morton (1988)
|
Paul Carter (Living in a New Country: History, Travelling and Language)
|
reviewed by Laurie Duggan (1993)
|
|
Steven D. Carter (The Road to Komatsubara: a Classical Reading of some of the Renga Hyakuin)
|
reviewed by T.J.G. Harris (1988)
|
|
Raymond Carver (A New Path To The Waterfall (poems))
|
reviewed by Richard Francis (1990)
|
|
Monika Cassel (Grammar of Passage)
|
reviewed by Rory Waterman (2021)
|
|
Nina Cassian (Life Sentence and Take My Word For It)
|
reviewed by Steve King (1999)
|
|
John Cassidy (The Fountain and Changes of Light)
|
reviewed by Dick Davis (1982)
|
John Cassidy (Night Cries)
|
reviewed by Michael Bird (1983)
|
|
Turner Cassity (The Defense of the Sugar Islands)
|
reviewed by Dick Davis (1982)
|
|
Jean Cassou (33 Sonnets of the Resistance, translated by Timothy Adès, introduction by Alistair Elliot (with the original introductory essay of Louis Aragon))
|
reviewed by John Pilling (2004)
|
|
Rosario Castellanos (Looking at the Mona Lisa, tr. Maureen Ahern )
|
reviewed by Paul Carter (1981)
|
|
Gary Catalano (Slow Tennis)
|
reviewed by Michael Hulse (1986)
|
|
Catullus ( The Poems of Catullus, translated by Frederic Raphael and Kenneth McLeish )
|
reviewed by Michael Cayley (1980)
|
|
Charles Causley (Collected Poems 1951-1975)
|
reviewed by Chris McCully (1984)
|
Charles Causley (Secret Destinations)
|
reviewed by Chris McCully (1986)
|
|
C.P. Cavafy (The Canon: the original one hundred and fifty-four poems. Translated by Stratis Haviaras. Edited by Dana Bostrom. Foreword by Seamus Heaney. Introduction by Manuel Savidis)
|
reviewed by John Pilling (2008)
|
|
Constantine Cavafy (Collected Poems translated by Edmund Keeley and Philip Sherrard)
|
reviewed by John Pilling (1993)
|
|
Guido Cavalcanti (The Selected Poetry of Guido Cavalcanti, trans. Simon West)
|
reviewed by Andrew Hadfield (2011)
|
Guido Cavalcanti (The Selected Poetry of Guido Cavalcanti, trans. Simon West)
|
reviewed by Andrew Hadfield (2011)
|
|
Glen Cavaliero (Ancestral Haunt)
|
reviewed by Peter Scupham (2002)
|
|
Clare Cavanagh (Osip Mandelstam and the Modernist Creation of Tradition)
|
reviewed by John Pilling (1995)
|
|
Terence Cave (Thinking with Literature: Towards a Cognitive Criticism )
|
reviewed by Nicolas Tredell (2017)
|
|
Ian Caws (Village Under the Sea)
|
reviewed by Dick Davis (1984)
|
|
Paul Celan ( Biographie de jeunesse by Israel Chalfen, translated by Jean-Baptiste Scherrer; Black Letters Unleashed edited by Malcolm Green, Anthology no. 6; and Selected Poems translated by Michael Hamburger )
|
reviewed by John Pilling (1990)
|
Paul Celan (Poems of Paul Celan, translated by Michael Hamburger and Snow Part / Schneepart and other poems, translated by Ian Fairley)
|
reviewed by Roger Caldwell (2007)
|
Paul Celan (Microliths They Are, Little Stones: Posthumous Prose)
|
reviewed by Anthony Barnett (2021)
|
|
Gabriel Celaya (The Poetry of Gabriel Celaya, translated by Betty Jean Craige)
|
reviewed by John Pilling (1986)
|
|
Jean-Jacques Celly (The Sleepwalker with Eyes of Clay translated by Katherine Gallagher, dual text)
|
reviewed by John Pilling (1995)
|
|
Blaise Cendrars (Modernities and other writings, edited and introduced by Monique Chefdor, translated by Esther Allen in collaboration with Monique Chefdor)
|
reviewed by John Pilling (1993)
|
|
Luis Cernuda (Selected Poems, translated by Reginald Gibbons)
|
reviewed by John Lyons (1980)
|
|
Aimé Césaire (La Poésie (Éditions du Seuil))
|
reviewed by Roger Little (1994)
|
Aimé Césaire (Notebook of a Return to My Native Land)
|
reviewed by John Pilling (1996)
|
|
Abigail Chabitnoy (How to Dress a Fish)
|
reviewed by David C. Ward (2020)
|
|
Fergus Chadwick (A Shape in the Net)
|
reviewed by Matthew Francis (1993)
|
|
Yeow Kai Chai (One to the Dark Tower Comes)
|
reviewed by Jee Leong Koh (2021)
|
|
Melanie Challenger (The Tender Map)
|
reviewed by Toby Martinez de las Rivas (2017)
|
|
Jennifer Chalmers (Peat)
|
reviewed by James Keery (1998)
|
|
David Chaloner (Hotel Zingo)
|
reviewed by Geoffrey Ward (1982)
|
|
Mary Jean Chan (Flèche)
|
reviewed by Jonathan Catherall (2020)
|
|
Avik Chanda (Footnotes: Poems)
|
reviewed by Tabish Khair (2009)
|
|
Keith Chandler (Time Signatures)
|
reviewed by T.J.G. Harris (1994)
|
Keith Chandler (A Different Kind of Smoke)
|
reviewed by James Tink (2002)
|
|
Victoria Chang (Dear Memory)
|
reviewed by Evan Jones (2023)
|
|
Fred Chappell (Spring Garden: New and Selected Poems)
|
reviewed by Nathan Ewer (1996)
|
|
René Char (The Dawn-Breakers, translated by Michael Worton)
|
reviewed by John Pilling (1993)
|
René Char (Hypnos: Notes from the French Resistance (1943â44) translated by Mark Hutchinson and The Inventors and Other Poems translated by Mark Hutchinson)
|
reviewed by John Naughton (2016)
|
|
Kyriakos Charalambides (Selected Poems, translated by Greg Delanty)
|
reviewed by Carmen Bugan (2006)
|
|
Chloe Chard (Pleasure and Guilt on the Grand Tour: Travel Writing and Imaginative Geography 1600-1830)
|
reviewed by Anthony Howell (2000)
|
|
George Charlton (City of Dog)
|
reviewed by Ian Sansom (1994)
|
|
Debjani Chatterjee (Debjani Chatterjee, John Lyons, Cheryl Martin, Lemn Sissay, The Sun Rises in the North)
|
reviewed by George Parfitt (1992)
|
Debjani Chatterjee (Namaskar: New and Selected Poems)
|
reviewed by Kate Keogan (2005)
|
|
Chen Chen (When I Grow Up I Want to Be a List of Further Possibilities)
|
reviewed by Jonathan Catherall (2020)
|
|
Syl Cheney-Coker (The Blood in the Desert's Eyes)
|
reviewed by Michael Hulse (1991)
|
|
Dan Chiasson (Natural History and other poems)
|
reviewed by Nick Telfer (2006)
|
|
Donald J. Childs (The Birth of New Criticism. Conflict and Conciliation in the Early Work of William Empson, I.A. Richards, Laura Riding, and Robert Graves)
|
reviewed by Mark Thompson (2017)
|
|
Kayo Chingonyi (Kumukanda)
|
reviewed by Phoebe Power (2018)
|
|
Tom Chivers (The Terrors)
|
reviewed by Alison Brackenbury (2010)
|
Tom Chivers (Flood Drain)
|
reviewed by Alison Brackenbury (2014)
|
|
Margaret Christakos (Not Egypt )
|
reviewed by Michael Hulse (1991)
|
|
Inger Christensen (it, translated by Susanna Nied)
|
reviewed by Roger Caldwell (2008)
|
|
Frank Cioffi (Wittgenstein on Freud and Frazer)
|
reviewed by Nicolas Tredell (1998)
|
|
Antonio Cisneros (Helicopters in the Kingdom of Peru, tr. Maureen Ahern, Will Rowe, David Tipton)
|
reviewed by Paul Carter (1981)
|
Antonio Cisneros (At Night the Cats, edited and translated by various hands)
|
reviewed by John Pilling (1986)
|
|
Amy Clampitt (Westward)
|
reviewed by Richard Francis (1992)
|
Amy Clampitt (A Silence Opens)
|
reviewed by Iain Bamforth (1995)
|
Amy Clampitt (Collected Poems)
|
reviewed by Vona Groarke (1998)
|
Amy Clampitt (The Collected Poems of Amy Clampitt)
|
reviewed by Brian Henry (1999)
|
|
Kate Clanchy (Samarkand)
|
reviewed by Michael Duggan (2000)
|
|
Joseph P. Clancy (Passing Through)
|
reviewed by David C. Ward (2009)
|
|
John Clare (The Midsummer Cushion, edited by Anne Tibble and R. K. R. Thornton)
|
reviewed by David Wright (1982)
|
John Clare (The Shepherd's Calendar, edited with an introduction by Tim Chilcott)
|
reviewed by R.K.R. Thornton (2007)
|
|
Caroline Clark (Sovetica)
|
reviewed by James Womack (2022)
|
|
Douglas Clark (Selected Poems)
|
reviewed by Rennie Parker (1996)
|
|
Heather Clark (The Grief of Influence: Sylvia Plath and Ted Hughes)
|
reviewed by Ruth Hawthorn (2012)
|
|
Polly Clark (Kiss)
|
reviewed by Jem Poster (2001)
|
|
Thomas A. Clark (Twenty Poems)
|
reviewed by Geoffrey Ward (1984)
|
Thomas A. Clark (Dwellings and Habitations)
|
reviewed by James Keery (1998)
|
Thomas A. Clark (The Hundred Thousand Places)
|
reviewed by Peter Riley (2010)
|
Thomas A. Clark (Farm by the Shore)
|
reviewed by Gerry McGrath (2018)
|
|
Austin Clarke (Selected Poems, edited by W.J. McCormack)
|
reviewed by Edmund Prestwich (1993)
|
|
Gillian Clarke (The Sundial)
|
reviewed by Jeremy Hooker (1979)
|
Gillian Clarke (Collected Poems)
|
reviewed by Conor O'Callaghan (1999)
|
Gillian Clarke (The Gododdin: Lament for the Fallen)
|
reviewed by Gwyneth Lewis (2021)
|
|
Jane Clarke (When the Tree Falls)
|
reviewed by Sue Leigh (2020)
|
|
John Cooper Clarke (Ten Years in an Open Necked Shirt)
|
reviewed by Steven Tuohy (1983)
|
|
Geraldine Clarkson (Declare)
|
reviewed by Alison Brackenbury (2017)
|
Geraldine Clarkson (Dora Incites the Sea-Scribbler to Lament)
|
reviewed by Alison Brackenbury (2017)
|
|
Killarney Clary (Who Whispered Near Me)
|
reviewed by Richard Francis (1993)
|
|
Hugo Claus (Selected Poems 1953-1973, edited by Theo Hermans)
|
reviewed by John Pilling (1987)
|
Hugo Claus (The Sign of the Hamster/Het Teken van de Hamster, translated from the Flemish by Paul Claes, Christine D'Haen, Theo Hermans and Yann Lovelock)
|
reviewed by John Pilling (1988)
|
Hugo Claus (Even Now, translated by David Colmer)
|
reviewed by P.C. Evans (2015)
|
|
Brendan Cleary (The Irish Card)
|
reviewed by Kate Chisholm (1994)
|
|
John Clegg (Holy Toledo!)
|
reviewed by Caroline Clark (2016)
|
John Clegg (Pinecoast)
|
reviewed by Rory Waterman (2022)
|
|
Jack Clemo (Selected Poems)
|
reviewed by Isabel Galleymore (2015)
|
|
Gay Clifford (Poems by Gay Clifford, introduced by Germaine Greer)
|
reviewed by Neil Powell (1991)
|
|
Graham Clifford (Welcome Back to the Country)
|
reviewed by Alison Brackenbury (2012)
|
|
Harry Clifton (The Desert Route)
|
reviewed by David Kennedy (1993)
|
Harry Clifton (Night Train through the Brenner)
|
reviewed by Matthew Francis (1995)
|
Harry Clifton (Portobello Sonnets)
|
reviewed by Andrew Hadfield (2017)
|
Harry Clifton (Gone Self Storm)
|
reviewed by Tara Bergin (2023)
|
|
Lucille Clifton (Generations: A Memoir)
|
reviewed by Evan Jones (2023)
|
|
Humphrey Clucas (Unfashionable Song)
|
reviewed by T.J.G. Harris (1991)
|
|
Anne Cluysenaar (Timeslips)
|
reviewed by Vona Groarke (1997)
|
Anne Cluysenaar (Timeslips)
|
reviewed by Jeremy Hooker (1998)
|
|
Michael Coady (One Another)
|
reviewed by Aidan Fadden (2004)
|
|
Carole Coates (Jacob)
|
reviewed by Ian Seed (2016)
|
|
Richard Cobb (Promenades )
|
reviewed by Simon Curtis (1981)
|
|
A.O.J. Cockshut (The Art of Autobiography in 19th & 20th Century England)
|
reviewed by Glen Cavaliero (1985)
|
|
Jean Cocteau (Past Tense - The Cocteau Diaries, Volume One, translated by Richard Howard)
|
reviewed by Harry Guest (1988)
|
Jean Cocteau (Past Tense: The Cocteau Diaries, Volume Two)
|
reviewed by Nathalie Blondel (1991)
|
Jean Cocteau (Tempest of Stars: selected poems, translated by Jeremy Reed)
|
reviewed by John Pilling (1993)
|
|
Andrei Codrescu (The Poetry Lesson)
|
reviewed by M.G. Stephens (2013)
|
|
J.M. Coetzee (Landscape with Rowers: Poetry from the Netherlands, translated and edited by J.M. Coetzee)
|
reviewed by Chris McCully (2004)
|
|
Brian Coffey (Death of Hektor)
|
reviewed by Alan Halsey (1984)
|
Brian Coffey (Poems And Versions 1929-1990)
|
reviewed by David Kennedy (1992)
|
Brian Coffey (DÓNAL MORIARTY, The Art of Brian Coffey)
|
reviewed by Marcella Edwards (2000)
|
|
Leonard Cohen (Book of Longing)
|
reviewed by David C. Ward (2008)
|
Leonard Cohen (The Flame)
|
reviewed by David C. Ward (2020)
|
|
Peter Cole (The Invention of Influence )
|
reviewed by Paul Franz (2014)
|
|
Philip Coleman (John Berrymanâs Public Vision: Relocating the Scene of Disorder)
|
reviewed by Karl O'Hanlon (2015)
|
|
Victor Coleman (Corrections)
|
reviewed by Michael Hulse (1990)
|
|
Wanda Coleman (Wicked Enchantment)
|
reviewed by Rommi Smith (2021)
|
|
Don Coles (Landslides: Selected Poems 1975-85 and The Prinzhorn Collection)
|
reviewed by Michael Hulse (1987)
|
|
Gladys Mary Coles (Leafburners)
|
reviewed by Jeremy Hooker (1988)
|
|
Amy Colin (Paul Celan: Holograms of darkness)
|
reviewed by John Pilling (1992)
|
|
Stefan Collini (Common Writing: Essays on Literary Culture and Public Debate)
|
reviewed by Tony Roberts (2017)
|
Stefan Collini (The Nostalgic Imagination: History in English Criticism)
|
reviewed by Tony Roberts (2019)
|
|
Arda Collins (It is Daylight)
|
reviewed by Alison Brackenbury (2010)
|
|
Billy Collins (Picnic, Lightning)
|
reviewed by David C. Ward (1999)
|
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
|
reviewed by Kim Hjelmgaard (2002)
|
Billy Collins (The Trouble with Poetry)
|
reviewed by Patrick McGuinness (2007)
|
Billy Collins (The Rain in Portugal)
|
reviewed by David C. Ward (2017)
|
|
Briony Collins (Blame it on Me)
|
reviewed by Rory Waterman (2021)
|
|
Pura López Colomé (Speaking in Song (Hearing and Forgetting))
|
reviewed by Ross Cogan (2020)
|
|
Jane Commane (Assembly Lines)
|
reviewed by Rachel Mann (2019)
|
|
Anne Compton (Alongside)
|
reviewed by Rebecca Watts (2014)
|
|
Stephanie Conn (Copelandâs Daughter)
|
reviewed by Alison Brackenbury (2016)
|
|
Stewart Conn (In the Blood)
|
reviewed by Sophie Hannah (1995)
|
Stewart Conn (Ghosts at Cockcrow)
|
reviewed by Brian Morton (2006)
|
|
Susan Connolly (Bridge of the Ford)
|
reviewed by John Muckle (2017)
|
|
Anne Conover (Olga Rudge and Ezra Pound: 'What thou lovest well...')
|
reviewed by John Peck (2002)
|
|
Tony Conran (Castles - Variations on an Original Theme)
|
reviewed by Roger Garfitt (1995)
|
Tony Conran (All Hallows: Symphony in 3 Movements)
|
reviewed by Rennie Parker (1996)
|
|
David Constantine (Davies)
|
reviewed by Mike Westlake (1986)
|
David Constantine (Madder)
|
reviewed by Michael Bird (1989)
|
David Constantine (Madder)
|
reviewed by T.J.G. Harris (1990)
|
David Constantine (Caspar Hausar)
|
reviewed by James Keery (1995)
|
David Constantine (Caspar Hauser)
|
reviewed by Keith Silver (1995)
|
David Constantine (A Living Language, Newcastle/Bloodaxe Poetry Lectures and Collected Poems)
|
reviewed by Sasha Dugdale (2005)
|
|
Eleanor Cook (Elizabeth Bishop at Work)
|
reviewed by Jonathan Ellis (2017)
|
|
Stanley Cook (Woods beyond a Cornfield)
|
reviewed by Dick Davis (1983)
|
Stanley Cook (Woods Beyond a Cornfield: Collected Poems)
|
reviewed by Steven Blyth (1996)
|
|
Eleanor Cooke (Secret Files)
|
reviewed by Matthew Francis (1994)
|
|
William Cookson (A Guide to the Cantos of Ezra Pound)
|
reviewed by Moelwyn Merchant (1987)
|
William Cookson (Spell, A Sequence)
|
reviewed by Paul Merchant (1988)
|
William Cookson (Vestiges 1955-1995)
|
reviewed by Roland John (1996)
|
|
Robert Coover (Spanking the Maid)
|
reviewed by Christopher Walker (1989)
|
|
Wendy Cope (Making Cocoa for Kingsley Amis)
|
reviewed by Peter Riley (1986)
|
Wendy Cope (Serious Concerns)
|
reviewed by Matthew Frost (1993)
|
Wendy Cope (Two Cures for Love)
|
reviewed by Henry King (2008)
|
Wendy Cope (Family Values)
|
reviewed by Sophie Hannah (2011)
|
Wendy Cope (Family Values)
|
reviewed by Rebecca Watts (2014)
|
|
Michael Copp (Cambridge Poets of the Great War: An Anthology, edited by Michael Copp)
|
reviewed by Patrick Quinn (2002)
|
|
Julia Copus (In Defence of Adultery)
|
reviewed by Richard Meier (2003)
|
Julia Copus (Girlhood)
|
reviewed by Hal Coase (2019)
|
|
Tristan Corbière (These Jaundiced Loves, translated by Christopher Pilling)
|
reviewed by Val Warner (1996)
|
|
Kelvin Corcoran (Melanie's Book and Remember Remember)
|
reviewed by James Keery (1998)
|
Kelvin Corcoran (When Suzy Was)
|
reviewed by David Kennedy (2000)
|
Kelvin Corcoran (New and Selected Poems)
|
reviewed by Peter Riley (2005)
|
|
Neil Corcoran (The Song of Deeds: a study of 'The Anathemata' of David Jones)
|
reviewed by Christine Pagnoulle (1984)
|
Neil Corcoran (The Song of Deeds: a study of The Anathemata of David Jones)
|
reviewed by Brian Morton (1985)
|
Neil Corcoran (Poets of Modern Ireland)
|
reviewed by Vona Groarke (2000)
|
Neil Corcoran (Poetry & Responsibility)
|
reviewed by David Spittle (2015)
|
|
Karen Mac Cormack (Implexures)
|
reviewed by David Kennedy (2004)
|
|
Alfred Corn (Present)
|
reviewed by Brian Henry (1998)
|
Alfred Corn (Unions)
|
reviewed by Henry King (2015)
|
|
Frances Cornford (Selected Poems, edited by Jane Dowson with a memoir by Hugh Cornford)
|
reviewed by Kate Price (1997)
|
|
Ciaran Cosgrove (Lassoed Suns)
|
reviewed by Lawrence Sail (1990)
|
|
John Cotton (Day Book: Fragments 1-32 and The Totleigh Riddles)
|
reviewed by Dick Davis (1983)
|
|
John Coulson (Religion and Imagination)
|
reviewed by Martin Jarrett-Kerr (1982)
|
|
Jeni Couzyn (In the Skin House)
|
reviewed by Matthew Francis (1994)
|
Jeni Couzyn (A Time to be Born, with drawings by Claire Weissman Wilks)
|
reviewed by Stevie Davies (2000)
|
|
Rosalind Coward (Patriarchal Precedents)
|
reviewed by Carol Shergold (1984)
|
|
Brian Cox (The Great Betrayal: Memoirs of a Life in Education)
|
reviewed by Nicolas Tredell (1993)
|
|
C.B. Cox (Every Common Sight )
|
reviewed by Michael Schmidt (1982)
|
|
Jim Crace (Continent)
|
reviewed by David Marriott (1988)
|
|
David Craig (The Grasshopper's Burden)
|
reviewed by David Kennedy (1992)
|
|
Hart Crane (Complete Poems, edited by Brom Weber)
|
reviewed by Brian Morton (1986)
|
Hart Crane (O My Land, My Friends: The Selected Letters of Hart Crane)
|
reviewed by Justin Quinn (1998)
|
Hart Crane (The Complete Poems of Hart Crane, edited by Marc Simon, with an introduction by Harold Bloom)
|
reviewed by David C. Ward (2002)
|
|
Patty Crane (Bell I Wake To)
|
reviewed by David C. Ward (2020)
|
|
Douglas Crase (On Autumn Lake: The Collected Essays)
|
reviewed by Ian Pople (2023)
|
|
Peter Craven (The Best Australian Poems 2003, edited by Peter Craven)
|
reviewed by Richard King (2004)
|
|
Robert Crawford (The Savage and the City in the Work of T.S. Eliot)
|
reviewed by Neil Corcoran (1988)
|
Robert Crawford (A Scottish Assembly)
|
reviewed by T.J.G. Harris (1990)
|
Robert Crawford (Devolving English Literature)
|
reviewed by Nicolas Tredell (1993)
|
Robert Crawford (Spirit Machines)
|
reviewed by Michael Duggan (1999)
|
Robert Crawford (The Modern Poet - Poetry, Academia and Knowledge since the 1750s)
|
reviewed by Robyn Marsack (2002)
|
Robert Crawford (The Tip of My Tongue)
|
reviewed by Richard Price (2004)
|
Robert Crawford (Eliot After âThe Waste Landâ)
|
reviewed by Craig Raine (2022)
|
|
Jonathan Creasy (The Black Mountain Letters: Poems & Essays)
|
reviewed by Lucy Burns (2017)
|
|
Robert Creeley (Hello: A Journal and Poems 1950-1965)
|
reviewed by Debbie Mitchell (1980)
|
Robert Creeley (The Complete Correspondence Volume 5)
|
reviewed by Nicolas Tredell (1984)
|
Robert Creeley (Memories and Mirrors)
|
reviewed by Robert Sheppard (1985)
|
Robert Creeley (The Complete Correspondence, Volume 9)
|
reviewed by Alan Munton (1991)
|
Robert Creeley (The Selected Letters of Robert Creeley, ed. by Rod Smith, Peter Baker, and Kaplan Harris)
|
reviewed by Alex Latter (2014)
|
|
Iain Crichton-Smith (In the Middle)
|
reviewed by Blake Morrison (1979)
|
Iain Crichton-Smith (Deer on the High Hills: Selected Poems)
|
reviewed by Andrew McNeillie (2021)
|
|
Andy Croft (Comrade Heart: A Life of Randall Swingler)
|
reviewed by Mike Freeman (2004)
|
Andy Croft (Three Men on the Metro)
|
reviewed by N.S. Thompson (2011)
|
|
Anthony Cronin (Collected Poems 1950-1973)
|
reviewed by C.H. Sisson (1980)
|
Anthony Cronin (41 Sonnet Poems)
|
reviewed by Ian McMillan (1983)
|
Anthony Cronin (New & Selected Poems)
|
reviewed by Hilary Davies (1983)
|
Anthony Cronin (Collected Poems)
|
reviewed by Greg Delanty (2006)
|
|
Elsa Cross (Beyond the Sea)
|
reviewed by John Muckle (2017)
|
|
Kevin Crossley-Holland (New and Selected Poems 1965-1990)
|
reviewed by Michael Hulse (1991)
|
|
Adam Crothers (Several Deer)
|
reviewed by Paul Stephenson (2017)
|
|
Ashley Bland Crowder (Seamus Heaney: Poet, Critic, Translator)
|
reviewed by Barry Wood (2008)
|
|
Anna Crowe (A Secret History of Rhubarb)
|
reviewed by Richard Price (2005)
|
|
Claire Crowther (Bare George)
|
reviewed by Alison Brackenbury (2017)
|
|
Andrew Crozier (An Andrew Crozier Reader, edited with an introduction by Ian Brinton )
|
reviewed by John Muckle (2012)
|
Andrew Crozier (âFree Verseâ as Formal Restraint: An Alternative to Metrical Conventions in Twentieth Century Poetic Structure)
|
reviewed by Ian Seed (2016)
|
|
Martyn Crucefix (Cargo of Limbs)
|
reviewed by Rory Waterman (2021)
|
|
Jonathan Culler (The Pursuit of Signs: Semiotics, Literature, Deconstruction)
|
reviewed by Richard Todd (1982)
|
Jonathan Culler (Theory of the Lyric)
|
reviewed by Nicolas Tredell (2016)
|
|
Michael Cullup (Reading Geographies)
|
reviewed by Steven Tuohy (1984)
|
Michael Cullup (A Change of Season)
|
reviewed by Peter Scupham (2012)
|
|
Marcus Cumberlege (Firelines)
|
reviewed by Matt Simpson (1979)
|
|
E.E. Cummings (on E.E. Cummings)
|
reviewed by John Gallas (2004)
|
|
Nancy Cunard (Poems of Nancy Cunard, edited by John Lucas)
|
reviewed by Vicki Bertram (2006)
|
|
Dave Cunliffe (Blackburn Brainswamp)
|
reviewed by David Kennedy (1992)
|
|
Lucy Rose Cunningham (Interval: House, Lover, Slippages)
|
reviewed by Anthony Barnett (2023)
|
|
Allen Curnow (The Loop in Lone Kauri Road )
|
reviewed by Michael Hulse (1988)
|
Allen Curnow (Continuum)
|
reviewed by Michael Hulse (1990)
|
Allen Curnow (The Bells of Saint Babels: Poems 1997-2001)
|
reviewed by Andy Brown (2002)
|
|
Neil Curry (Between Root and Sky)
|
reviewed by Dick Davis (1983)
|
Neil Curry (Walking To Santiago)
|
reviewed by David Kennedy (1993)
|
Neil Curry (The Bending of the Bow)
|
reviewed by Roger Caldwell (1994)
|
Neil Curry (The Road to the Gunpowder House)
|
reviewed by Robert P. Jones (2003)
|
Neil Curry (Six Eighteenth-Century Poets)
|
reviewed by John Lucas (2012)
|
|
Cathy Curtis (A Splendid Intelligence: The Life of Elizabeth Hardwick)
|
reviewed by Tony Roberts (2022)
|
|
S. D. Curtis (Diary of a Divorce)
|
reviewed by Rory Waterman (2021)
|
|
Tony Curtis (The Art of Seamus Heaney)
|
reviewed by Neil Corcoran (1983)
|
Tony Curtis (Letting Go)
|
reviewed by Chris McCully (1984)
|
|
Rachel Curzon (Faber New Poets)
|
reviewed by Alison Brackenbury (2016)
|
|
Adam Czerniawski (The Invention of Poetry: Selected Poems, translated by Iain Higgins)
|
reviewed by Piotr Gwiazda (2006)
|